1. Shameful. Only difference was the personalities of the "actors" and the target audience. There are some good lines in this, but that the plot (and the side plot) are both so, so similar to twelve, well I'm caught up in self-righteous indignation.
2. Never the fan of cage birds, I give credit to anything that can outsmart the neighborhood children. Obviously a different utility here than hawk or gull, I contemplate chiefly the difference in flight pattern between. If I could fly I'd take open air, but watch a sparrow sized bird in a tree sometime. Still good movement.
3. I mention all those things to point out how insane this is. In my mind, that he can go through all that as an Animorph, where has arguably the most personal traumas, and keep it together, but his dad remarrying is what throws him over the edge. That is bonkers. I catalog personal as want and tactic as need, so I can swallow personal stress for a while. While I do think it's the bigger problem for most people, it was a surprise to see this in Marco.
4. Jake knows Marco, and that's why what he said works-not everyone can just be consoled and talk things out. I rarely hand out sagely wisdom, and it mostly is a few observations that hopefully keep the person for punishing them-self. While there are some things I probably need to talk out, I tend to resist consolation. Tough love has better chance, but still the risk of lashing out and everything falling apart.
5. Funny? Maybe. I think the dog thing was the best idea. Having to scratch your head probably wouldn't discredit you. I know that the whole point of Marco's delight is that he wasn't really hurting Tenant-no moral questioning so to speak, but taking delight in any level of suffering is not a good thing. Understandable, he's been through a lot, but it's still morally questionable as far as I'm concerned. And most the Animorphs show this feeling at one point or another. Understandable, but....
6. I was going to say bully: random human(s) to exasperate the person, but that probably has limited utility on adults. Birds: getting crapped on every few hours would get a lot of people. Hmm, this is tough. In real life I've used mild insults, taunts, limited physical utilization. Repetition is the key though, no matter what you do. Oh! For example giving the same plot (and side plot) to another book in a series!
7. I'm not a huge fan of Visser, so having read it some of the effect is lost. Still, objectively it is a great lead in, the type of cliff hanger you could end a TV season on. Lot of potential (even if it is never reached :X)